Berlín 37, Col. Juárez​

06600, México, DF.

info@fundacionmarso.org

+52 (55) 7095 6804

+52 (55) 7095 7740

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Dialogue

20.04.16 - 15.06.16

 

 

After a career of four years in which Marso has forged his particular personality, we wanted to bring together artists who have made this possible. Dialogue is not only a collective exhibition, it is also an exercise in defining our path of work and reaffirmation of our identity.

Mexican and international contemporary art remains as the mainstay in our proposals, each of them is closely related to residences that are held in our space.

Dialogue is the special occasion that offers the possibility to collect the experiences that have lived in the same place the last four years. The idea that relates the pieces in this exhibition could not be other than the artistic line that Marso has developed from its beginnings, understood in its broadest and multidisciplinary meaning, from sculpture, painting, video etc.

 

 

Dialogue #1: 

Andrea Galvani and Tim Hyde

Acerca de lo material y la Simultaneidad

 

Dialogue #2: 

Luis Felipe Ortega, Daniela Libertad and Karyn Olivier

Acerca del Lugar y la Memoria

 

Dialogue #3: 

Luis Felipe Ortega and Jong Oh

Acerca del vacío y la saturación

 

Dialogue #4: 

Virginia Colwell, Arturo Hernández Alcázar and Mario de Vega

Acerca de archivo y política

 

Dialogue #5: 

Tony Orrico, Daniela Libertad and Virginia Colwell

Acerca del gesto y la percepción

 

Dialogue #6: 

Sarah Schöenfeld and Norman Mooney

Acerca del color y la alteración

 

Dialogue #7: 

Theo Mercier, Michael Conrads, Daniela Libertad, Emre Hüner and Virginia Colwell

Acerca de la forma y la referencia

 

 

Andrea Galvani
Higgs Ocean No. 18, 2011

Photo collage on archival paper, 104 x 148 cm.

 

 

Tim Hyde
Unitled Monument MV01, MV02, MV03, MV04, MV05. 2008 - 2009

Photo collage on plexiglass. 61 x 40,6 cm.

 

Karyn Olivier (izquierda)
Buoy and line, 2014.

Sea bouy and rope. Variable measures.

 

Daniela Libertad (centro)
Action No. 13 Hand Pencil, 2008- 2011.

Vídeo 7:45 min. Aspect 16:9, HD NTSC. Ed. 4/5

 

Daniela Libertad (derecha)
Del poder de las palabras, 2011.

Graphite on paper. 28 x 17 cm.

 

 

 

 

Luis Felipe Ortega
Mirando a través de algo que parece uno mismo, 2001-2014.

88 printings, 12,6 x 18,8 cm. c/u. 100,87 x 206,8 cm.

 

Karyn Olivier (izquierda)
Buoy and line, 2014.

Sea bouy and rope. Variable measures.

 

Luis Felipe Ortega
Sin título (a propósito del elogio de la Sombra. Segundo ensayo), 2016.

Graphite and acrylic on paper. 210 x 100 cm.


Sin título (a propósito del elogio de la Sombra. Primer ensayo), 2016.

Graphite and acrylic on paper. 210 x 100 cm.

 

Jong Oh (izquierda)
Room Drawing (monochrome) #2, 2016.

Plexiglas, thread, paint, chain, pencil line, metal rod. Variable measures.

 

Luis Felipe Ortega (derecha) 
Sin título (Horizontes para Pasolini), 2016.

Graphite, pencil, pastel and acrylic on paper. Polyptych 40 x 40 cm each.

 

Virginia Colwell (izquierda)
The newspaper clippings #3 (Junius), 2010.

Pencil and photo transfer on mulberry paper. 64 x 102 cm.

 

Arturo Hernández Alcázar (centro e izquierda)

Columna del trabajo (salario mínimo), 2016.

Smoked tools and coins in balance. Variable measures.

Jornada Negra, 1994 (Muro de Humo Negro), 2012.

130 newspapers from January 2 to July 31 of 1994 smoked with ocote (La Jornada, México). Variable measures.

 

Arturo Hernández Alcázar

Jornada Negra, 1994 (Muro de Humo Negro), 2012.

130 newspapers from January 2 to July 31 of 1994 smoked with ocote (La Jornada, México). Variable measures.

 

 

Sarah Schöenfeld (izquierda)
Rainbow (From the series Collapse Paradise), 2015.

Printing on acrylic. 170 x 220 cm.

 

Norman Mooney (derecha)
Wall Flower No.6, 2011.

Cast aluminum with yellow pigment. 182 cm diameter.

 

 

Sarah Schöenfeld
Heroin (From the series All You Can Feel), 2014.

Unique analog print on photographic paper with frame. 35 x 35 cm.


Fossil (From the series Collapse Paradise), 2015.

Printing on acrylic. 35 X 35 cm.


Prozac (From the series All You Can Feel), 2014.

Unique analog print on photographic paper with frame. 35 x 35 cm.

 

Tony Orrico

Penwald: 4: unison symmetry standing: center circle, 2014.

Graphite on paper. 244 x 244 cm.


Penwald: 7: 4 3/4 turns left, 2011.

Graphite on paper. 305 x 305 cm.

 

Emre Hüner
Sotano I, 2015.

Glazed ceramic, steel and painting. 48 x 48 x 37 cm.

 

Virginia Colwell
Discoteca del Partenón de Durazo, 2012.

Archival ball point pen on handmade tissue paper. 37 x 53 cm.

 

El Jacuzzi del Partenón de Durazo, 2012.

Archival ball point pen on handmade tissue paper. 37 x 53 cm.

Daniela Libertad
Diagrama, 2015. Color pencil on paper.

Diagrama, 2015. Color pencil on paper.

 

Theo Mercier
Damoiseux d’ Avignon, 2015.

Wood, PVC and acrylic. Variable measures.

 

Esculturas para un terremoto, 2015.

Ceramic, wood and eggs. Variable measures.

 

Daniela Libertad
Diagrama 50, 2015.

Graphite on paper. 98 x70 cm.

 

Michael Conrads
Bariloche Pink Stain, 2016.

Acrylic and vynil on canvas. 190 x 150 cm.

Theo Mercier

Esculturas para un terremoto, 2015.

Ceramic, wood and eggs. Variable measures. 

 

Michael Conrads
Damocles’ Sword, 2016.

Acrylic and vynil on canvas. 190 x 150 cm.